On Obama’s Refusal to Acknowledge Michael Jackson

By Saswat Pattanayak

Obama’s constant denial to acknowledge racial tensions in the United States has refused him an ability to officially respect Michael Jackson’s demise. Michael- the most famous black man and the most popular black entertainer in the world history passed away. And only the fans must do all the mourning. The fans must keep Michael’s memories alive. The United States system has apparently no obligation to commemorate the occasion. President Obama has refused to issue a written statement to mourn the passing of Michael even as world over, millions of people are heartbroken.

As a perpetuator of the liberal Zionist media spin, President Obama relegated his press secretary Gibbs, a thoroughly disgusting communicator considering his role of responsibility, to convey the musings to the media. And how did Gibbs respond to a series of sincere questions about why the White House would not release a written statement? He laughed and said to the press: “You know, I think I did a good job”.

He implied celebrating a national hero is not the job of the President. The president is apparently busy. He is too busy to join the huge majority of the earth to respect the most celebrated black man. After all, he is in constant denial about the significance of the black freedom struggle in the United States. A freedom struggle that continues to this day. A freedom struggle which was being waged by even the most “successful” artist of color.

President Obama acknowledges there is an economic crisis. He is trying his best to help the Wall Street magnets reclaim their power corridors. He is making sure that the corporate banking conglomerates get the “bailout” money needed to re-strengthen their stature. But he refuses to acknowledge that the economic crisis does not affect everyone equally. He refuses to acknowledge that in the United States, the society has been unequal along the racial divides. The corporate CEOs’ luxury vacations out of frustrations at economic stagnation should not be confused with the thousands of black educated men and women who have been unjustly abandoned from their workplaces.

Unlike Obama’s election rhetoric which denies racial inequalities in America, the fact is, there is a Black America and there is a White America. This is something which Michael Jackson painfully realized and publicly acknowledged. The way in which the White America creative industry overwhelms the Black American artistic endeavors was properly articulated by Michael: “All the form of popular music from Jazz to Hip-Hop, to Bebop, to Soul – all these are forms of black music…you talk about different dances from Catwalk, to Jitterbug, to Charleston, to Break dancing – all these are forms of black dancing. We (black artists) are the real pioneers who started these. These things are very important but if you go to the bookstore down the corner, you will not see one black person on the cover, you’ll see Elvis Presley, you’ll see the Rolling Stones.” Michael challenged the legacy of white musical legends such as Elvis and Beatles. He said, “Otis Blackwell was a prolific phenomenal writer who wrote some of the greatest Elvis Presley songs. And this was a black man, but he died penniless. I met his daughter and I’m so honored. It was the same level as meeting the Queen of England.”

Is it because Michael Jackson was vocal, nondiplomatic and accurate in his depiction of the racial divides in the American entertainment industry which irked President Obama? Or was it because Obama has simply no faith in the American judiciary system which despite having caused enough damages to Michael during his life, despite subjecting him to inhumane police brutality, clearly declared him innocent of each and every allegations brought forth against him. Michael was almost bankrupt and he could not even buy the judiciary system like many politicians simply raise funds to become political candidates. Michael was too private when it came to meeting the press so he could not influence the mass media unlike many politicians who simply use the force of empty rhetoric and press relations to declare untested popularity. Where did Michael fault so much as to not deserve a national statement upon his death?

President Obama never hesitated to offer a written statement for Omar Bongo – an infamously corrupt politician of Gabon – when he died, just two weeks before Jackson’s demise! Obama’s written statement said: “I am saddened to learn of the death of President El Hadj Omar Bongo Ondimba of Gabon. President Bongo played a key role in developing and shaping the strong bilateral relationship that exists between Gabon and the United States today. President Bongo consistently emphasized the importance of seeking compromise and striving for peace, and made protecting Gabon’s natural treasures a priority. His work in conservation in his country and his commitment to conflict resolution across the continent are an important part of his legacy and will be remembered with respect. On behalf of the United States government, I offer my condolences to his family and to the people of Gabon.”

Clearly President Obama has no elementary knowledge of the cold war history, else he would never make such a statement praising Bongo! Unless of course he has only consumed the noncritical liberal press that makes hero of anyone who praises interventionistic tactics of the United States. Bongo, right on! Michael Jackson, hell no!

Obama has never failed to issue official statements just to denounce the decision of a magazine to honor Louis Farrakhan. “I strongly condemn the anti-Semitic statements made by Minister Farrakhan. I assume that Trumpet Magazine made its own decision to honor Farrakhan based on his efforts to rehabilitate ex-offenders, but it is not a decision with which I agree.”

The White House released official statement from the President regarding shooting at DC’s Holocaust Museum, which left one security guard dead: “I am shocked and saddened by today’s shooting at the U.S. Holocaust Memorial Museum. This outrageous act reminds us that we must remain vigilant against anti-Semitism and prejudice in all its forms. No American institution is more important to this effort than the Holocaust Museum, and no act of violence will diminish our determination to honor those who were lost by building a more peaceful and tolerant world.”

To such statements – be it in honor of Bongo or the Holocaust Museum, or in opposition to honoring Farrakhan, there need not be any controversy. As a human being, Obama is entitled to honor or dishonor them. But when it comes to Michael Jackson, whose contributions to the world of music is unlike any other, and which is duly acknowledged by everyone – and whose death was mourned by world leaders from Nelsn Mandela to Hugo Chavez, what did Obama have to lose?

More importantly, what has United States got to lose if we officially show respect to MJ – the most well known and acknowledged man of color. Will we never commemorate his death with a national week of mourning? Will we never celebrate his birthday officially? Will we never remember that black artistry must be celebrated above all else? It is true we have not duly acknowledged many great black artists in the past. The question is shall we continue this trend?

United States machinery has appropriated the gains from Michael’s “We Are The World” to help America put a human face on its cold war strategies. In America’s war against drugs, Michael has been used as the most influential and positive role model. To implement humanitarian causes that secured politicians such as Al Gore Nobel Prizes and Bill Clinton immortality, Michael’s legacy was used to the max. And most notably, in the past, all American Presidents have issued official statements mourning great artists. Here are just a few:

Jimmy Carter’s written Statement by the President on the Death of Elvis Presley on August 17, 1977

“Elvis Presley’s death deprives our country of a part of itself. He was unique and irreplaceable. More than 20 years ago, he burst upon the scene with an impact that was unprecedented and will probably never be equaled. His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense, and he was a symbol to people the world over of the vitality, rebelliousness, and good humor of his country.”

John Lennon was remembered after his death by both President Carter and incoming President Reagan through written statements.

Frank Sinatra’s death was mourned by Bill Clinton through a detailed written statement to the press:
“Hillary and I were deeply saddened to hear of the death of a musical legend and an American icon, Frank Sinatra. Early in his long career, fans dubbed him ‘The Voice.’ And that was the first thing America noticed about Frank Sinatra: that miraculous voice, strong and subtle, wisecracking and wistful, streetwise but defiantly sweet. In time he became so much more. Sinatra was a spellbinding performer, on stage or on screen, in musicals, comedies and dramas. He built one of the world’s most important record companies. He won countless awards, from the Grammy — nine times — to the Academy Award, to the Presidential Medal of Freedom. And he dedicated himself to humanitarian causes. When I became president, I had never met Frank Sinatra, although I was an enormous admirer of his. I had the opportunity after I became president to get to know him a little, to have dinner with him, to appreciate on a personal level what fans around the world, including me, appreciated from afar. Frank Sinatra will be missed profoundly by millions around the world. But his music and movies will ensure that ‘Ol’ Blue Eyes’ is never forgotten. Today, I think every American would have to smile and say he really did do it his way. Hillary and I would like to offer our condolences to Frank’s wife, Barbara, and to his children, Nancy, Frank Jr., and Tina. Our hearts are with them today.”

What has stopped President Obama and the US administration from honoring Michael Jackson, who has emerged even greater in his death?

Michael Jackson will forever live on!

By Saswat Pattanayak

michael-jackson

They finally killed Michael Jackson.

The music industry giants of America with their racist press collaborators took away the life of the greatest entertainer, the world has witnessed in recording history.

Michael Jackson was on a slow death since several years now. Most notably ever since he raised his voice against Sony Corporation and the exploitative music industries. Ever since he, more than anyone else as influentially, highlighted the plights of black artists as victims of racism: “The record companies really, really do conspire against the artists. They steal, they cheat, they do whatever they can. Especially against the black artists.” Unable to accept how Sony’s chairman Tommy Mottola referred to one African-American artist as a “fat black nigger”, Jackson condemned him as “mean, a racist, very, very, very devilish” person. Michael Jackson had taken a stand against racism within music industry in a manner no musician had dared to take before. Nor after.

But that was not all.

Michael Jackson had also emerged as the most widely recognized human being in the world.

Unlike anyone else in human history – way more than any icon of the western world, more than any president of modern times or emperor of the ancient age – it was Michael Jackson who was recognized and respected by people all across the globe. The most “popular” American was increasingly transcending the limits of fame set by the power structure. He was rising taller than the Washington Monument in nation’s capital, and World Trade Center in New York City. Micheal Jackson was a bigger ambassador of American love than Kennedy or Lincoln ever were. He was a bigger American poet than Walt Whitman was. A greater performer than Frank Sinatra. A better dancer than Fred Astaire. A grander legend during his lifetime than Elvis was following his death.

And yet, as his good friend Elizabeth Taylor often remarked, inside America, Michael Jackson was “treated as dirt”. Why would he be not? He had surpassed every limits ever set forth: by America for the black peoples.

Michael Jackson was the black man who steadfastly refused to walk the ropes, to plead with the press, to sell his musical soul to the corporate copyrighters. He was the black man who took over the Elvis and the Beatles and shattered every myth revolving cultural purities. He was the black man who challenged the white hegemony over recording business and historiography. The musical pundits had to be forced to rewrite the list of greatest entertainers. Through “Thriller”, he won the world and then a record number of records. From the greatest music video the world had ever witnessed, to the Moonwalking steps the world had never known so gracefully existed, to the songwriting of “Man in the Mirror” that no one knew millions would cry to – Michael Jackson redefined everything that the world of music had hitherto known and did not.

They could not categorize him. In fact, he would not allow that to happen. His creations were not merely rock or pop, soul or blues, dance or music. But they were all soul-lifting. They were breathtaking. Mesmerizing. His “Beat It” red jacket was as much revolutionary as his “Heal the World” pleas to make the children smile. Everything he did, he did with a sense of dedication that shook the foundation of the common knowledge. And this violated the principles of status quo in the western world that could “allow” him to exist, but not “emulate” him now that he had vanquished the protected heritage masters to oblivion.

Thus, Michael Jackson, the de facto cultural ambassador of the United States of America emerged more popular worldwide than he was back home. He made friends with the Islamic nations that America despised. He was crowned by the African tribes that America ignored. He befriended more people and gave rise to more dreamers than America as a nation did. The more America became isolated in the map of the world, the more acceptable became Michael Jackson to the world. Michael Jackson became the internationalist – the singer more powerful than the recording industries, the man more acceptable than the press reports, the heart more profound than all the charities. Little surprising that as Jackson went on winning hearts of the world majority, the elite press minority of America unleashed their fury back home.

How do you stifle a legend while he is alive? Especially, if the person is the greatest philanthropist – more consistent than Oprah Winfrey and Bill Gates put together. Charity in the modern age began with Michael Jackson. Whereas every billionaire would squander away token money in order to evade taxes and earn immortality, Jackson would give away the entire proceeds of his shows to cause of black children in America and for the dispossessed in Africa – without a mention in the press. If charity meant not blowing the trumpets on celebrity TV shows, if charity meant giving without expecting, perhaps charity in its grandest term has ended as well with Michael Jackson.

It is not the legend and the myths of Michael Jackson that made him. It is in fact, the plain human being which he was that was exemplary. He loved children and he made no qualms about it. He did everything in spirit to address the needs of children. Heal the World Foundation is the single largest voluntary organization sponsoring the cause of the oppressed children worldwide. Greater than any country on this earth, greater than the United Nations’ duplicitous endeavors and certainly greater than the neoliberal rhetoric by the free market champions – are the contributions of Michael Jackson to making the world a better place – “for you and for me and the entire human race”.

How do you stifle such a man when he is alive? A man who defied the media conventions of masculinity. A man who refused to carry out the gender roles of prescribed American macho cowboy image. A man who played into no racial stereotypes. No black exploitation of his racial image. A refusal to be an essentialist. How does one stifle a man who defies national boundaries? Not a national hero, Michael Jackson would be. The singer poet of the “Earth Song” was a global crusader against neocolonial expansions, who amplified the cause sung in his crying voice:

“What have we done to the world
Look what we’ve done
What about all the peace
That you pledge your only son…
What about flowering fields
Is there a time
What about all the dreams
That you said was yours and mine…
Did you ever stop to notice
All the children dead from war
Did you ever stop to notice
The crying Earth the weeping shores”

How do you stifle this environmentalist? The pacifist? Or the humanist, as exemplified by the immortal poetry of his in “Man in the Mirror”:

“I’ve Been A Victim Of A Selfish
Kind Of Love
It’s Time That I Realize
That There Are Some With No
Home, Not A Nickel To Loan
Could It Be Really Me,
Pretending That They’re Not
Alone?”

How do you stifle the political activist? The supporter of Roosevelt’s socialist policies? The fighter for social justice? In “They don’t really care about us”?

“Tell me what has become of my life
I have a wife and two children who love me
I am the victim of police brutality, now
I’m tired of being the victim of hate
You’re raping me of my pride
Oh, for God’s sake
I look to heaven to fulfill its prophecy…
Set me free

Tell me what has become of my rights
Am I invisible because you ignore me?
Your proclamation promised me free liberty, now
I’m tired of being the victim of shame
They’re throwing me in a class with a bad name
I can’t believe this is the land from which I came
You know I do really hate to say it
The government don’t wanna see
But if Roosevelt was living
He wouldn’t let this be, no, no”

They would do to Michael Jackson what they did to Paul Robeson. When Robeson had become more popular and rewarded abroad as an internationalist fighting for social justice, he was condemned back home in America. His passport was snatched away so he would not be able to perform. The only platform for an artist is an ability to express. Robeson’s expressions were taken out of contexts and the press vigorously mounted an ugly war against him, portrayed him as an enemy of freedom and democracy – the very ideals that Robeson held closest to his heart.

That is how the system kills an artist. The very core of their philosophies is scandalized. In instances of Michael Jackson, his philosophy of life did not revolve around political economy. He had no aspirations to mobilize the masses for revolutions. He was not a fighter against market capitalism. But he had a potent weapon in his hands nevertheless, to transform the world after his vision. Children. For him, children were the past, present and the future. If the world was in a mess it was because of the grown-up militarists. The children were left out of the agendas set by the men. Children were neglected world over. Their rights trampled, their dreams refused to take shape, their imaginations murdered everyday.

Children, Michael Jackson theorized, needed the love and the attention. They were the center of the universe. It was the children for whom Michael Jackson acted in movies, made the music videos, wrote innumerable songs, danced to be imitated, and built the most beloved amusement park in the world. It was not merely about Michael Jackson’s lost childhood. It was about the childhoods that were yet to shape up. It was for the future that Jackson wrote in “Heal the World”:

“We could fly so high
Let our spirits never die
In my heart I feel
You are all my brothers
Create a world with no fear
Together we’ll cry happy tears
See the nations turn
Their swords into plowshares
We could really get there
If you cared enough for the living
Make a little space to make a better place.”

And it was the children they did abuse to get back at Michael Jackson. Trial after trial after trial. Months after months, Michael Jackson defended himself. The mainstream press which he refused to cooperate with, ridiculed him through cartoons and staged demonstrations and judicial overtures. King of Scandals, they called him. Even today, as he is no more, the press headlines Michael Jackson thus.

The scandals never really left him alone. Neither did the millions of loyal fans who despised the media as much as they loved Michael. I grew up learning about Jackson through the sensational press and just like any other admirer of his, I learnt soon to disregard the press reports as fabrications and targeted accusations. It was a constant refusal to believe in the press reports over what they projected democracy and liberty as just as they projected what a monster Michael Jackson was. Like millions of his devoted fans, I have deliberately and proudly refused to go beyond what the man stood for. I have every reason to believe Michael Jackson over the mainstream press reports. Every reason to trust Michael Jackson over the racist judicial system. Every reason to celebrate Michael Jackson over the monopolist music industry whims.

Jackson did not speak much to the press. Like Bob Dylan, he too did not trust them. But unlike Dylan, Jackson did not permit himself to be isolated. Unlike everyone else, Michael Jackson was a black artist owning the license to his own music, producing his own albums, refusing the media an entry into his life, controlling his gender roles, his paternal duties, his marital status, his appearances, his sexualities, his imaginations and their cumulative expressions. Michael Jackson was the artist, everyone of us aspired to be like.

It was necessary that they had to let him die just when he was enthused over his return to the stage this summer. They could not have allowed the return of the legend in the age of the complacent. They could not have left him in peace any place in the world. The mendacious reports and mawkish bullshit manufactured by the press can continue no longer, now that Michael Jackson is no more.

What will remain now on are his immortal songs, his inspiring messages to save the trees and prevent the wars. And most of all, his immense love for the world’s children. A deeply personal love, only he could fathom in “Childhood”:

“People say I’m not okay
‘Cause I love such elementary things…
It’s been my fate to compensate,
for the Childhood
I’ve never known…

Have you seen my Childhood?
I’m searching for that wonder in my youth
Like pirates in adventurous dreams,
Of conquest and kings on the throne…

Before you judge me, try hard to love me,
Look within your heart then ask,
Have you seen my Childhood?”

I shall miss you, my beloved childhood hero. In many ways, its good that you are no more amidst us. Because rest assured, before you are judged again, you shall be only loved now on.